Version 2.373

• Bank changes are now supported during playback. To enter a bank change within a track (staff) use the command b# (eg. b3.) When the staff is played back a bank change message will be sent to the synthesizer. Bank changes are used by several Audio Unit synthesizers for switching between playing techniques on an instrument (eg. switching between arco and pizzicato). As with patch changes, you can disable or enable printing of the bank change markers with a setting in the Other pane of the Preference panel.

Version 2.396

• Changes to support antescofo score generation and GFWD LFWD and KILLFWD messages. Since this is a specialized function of NAPro designed for score-following in interactive computer music, details are not included in the help files. Information on how to use these functions can be obtained from the author.

Version 2.396

• More options for remote messaging between NoteAbilityPro and Max are now supported. Contact the author for details on how to do this.

Version 2.406

• A quick scroll view was added to the top of the score -- click in the area to quickly jump to a different location in the score.
• A new editor for Nested tuplets was added. This editor lets you change the configuration of nested tuplets to any configuration or grouping your want. The durations of the notes are not modified by this editor. In order to use this editor, enter the notes with the correct rhythmic values already calculated, then select the images so that they are loaded into the editor. Adjust the main and secondary groupings and assign the tuplet values you want to appear above the groupings. The durations are not modified -- just the appearance is altered.

Version 2.413

• Duration bars can now be added to notes and the thickness of the duration bar can be set in NAPro Preferences. Duration bars are commonly used in spatial notation to show the duration of the note.
• It is now possible to convert notes to GFWD messages (for antescofo files). The GFWD Note Editor (in the Tools menu) provides a table which allows selected notes to be loaded and converted into GFWD messages with arguments.
• More support for MusicXML import has been added.

Version 2.417

• It is now possible to add multiple symbols and/or fermati to individual notes and chords. Each of these symbols can be adjusted individually.

Version 2.423

• Support for Unicode Staff Labels was added at all levels throughout the program (Score templates, Document Setup, Change Label functions). To add non-Western characters, use the Font Panel Character sub-menu and Insert the extended characters into the Text box.
• Support for custom page sizes was added to the Document Setup panel. Set the dimensions of the desired paper size, then choose Custom from the pull-down menu.

Version 2.425

• A lock was added to the Image Size panel to stop image size from resetting back to 24 when the Entry Cursor moves to a new staff
• More MusicXML import improvements were made.

Version 2.426

• A Custom Staff panel was added to the Tools… menu. The Custom Staff panel allows you to create a custom staff configuration (line positions, line colour and background colour) and to embed it in the score as one of 4 custom staff configurations. You can also save your staff configuration in a file and load the configuration later should you want to use it in a different score.
• Support for the newest versions of the Sibelius and Finale fonts was added.

Version 2.428

• Support for DLS banks was added -- banks settings are now stored in the Track Setup panel and can be changed in the score using bank change markers (inserted with b#) commands.

Version 2.430

• system formatting was improved -- and a bug which caused extra pages to be created was fixed.
• some problems with accidentals being lost during editing was fixed
• a menu item which allows intervals to be converted to Artificial Harmonics (with transposition of the lower note) was added to the Modify / Notes menu. Select the two notes (which should be either a P5, p4 or M3 interval) and select the Create Artificial Harmonic menu item. The top note will have its notehead changed to a diamond notehead and will be muted, the bottom note will have its playback transposed by a P12, a P15th or and a M17th. The Remove Artificial Harmonic menu item reverses this process.

Version 2.432

• Audio Unit support was extended so that up to 6 Audio Unit Instruments (eg. software samplers, physical model players, analog synthesizer modules) can be used at any one time. This compliments the 6 DLS synthesizers already available. In the Audio Units panel you can select an Audio Unit from those available in your system and then have selected staves of your score access that Audio Unit by choose Audio Unit 1 through Audio Unit 6 in the pull down menu on the left side of the Track Setup panel. Remember, many Audio Unit Instruments are capable of controlling up to 16 different channels with different instruments on them, so you do not normally need more than one copy of an Audio Unit. However, for some software samplers, it may be advantageous to have more than one copy of the Audio Unit loaded. Most recent software samplers can be loaded as Audio Units. NoteAbilityPro preferences remembers the last Audio Unit configuration used, so those Audio Units will be loaded next time NAPro starts. The Audio Unit Panel was re-designed to support multiple audio units.

Version 2.433

• A new tremolo symbol (Z) was added to the list of available tremolos in the Tremolo Pane.
• Multiple Measure rest compression was changed so that multiple measure rests are more compact in width. When you select a segment of the score using the Score Select tool and use the Build Measure Rests menu item (located in the Modify / Rests menu), the beat markers of the measures are hidden and only the barline markers remain. The width of the measures is reduced so that the entire series of measures takes up between 1 and 2 measures depending on your formatting settings. When the Build Measure Rests menu item is selected on the above passage, it becomes: In order to revert the multiple measure rests score area to measures with beats markers and baronies, select the left side of the multiple measure rest object OR place the Entry Cursor in the first measure of the multiple measure rest and use the Expand Measure Rests menu item (located in the Modify / Rests menu). The result will be:

Version 2.436

• The Scriabin font was updated and converted to OpenType format -- by default, this font will be used (called Scriabin.otf) The old font - Scriabin6.ttf is still installed in case it is being used for text display in older scores.
• Support for Key Switches and MIDI Controller messages was added. The messages are used in conjunction with Software Samplers such as Garritan Orchestra or Vienna Symphonic Orchestra. They can also be used as embedded MIDI control messages should you want to alter playback qualities in the middle of a score.
• Key Switches are essentially MIDI note messages that are inserted in the score at any location. Software samplers can be configured to switch patches when a key switch is received. To enter a key switch in the score, use the command: [ followed by the midi key number either in decimal (0-127) or as a note name followed by and octave (c1, f#2, ab7). The number (expressed as a decimal value) is displayed in red at the base of the clef. In the example below the commands [c1 and [d1 were entered and the numbers 24 and 26 (their decimal equivalents) were added to the score. During playback these key switches will be sent between the notes in the score.

  MIDI Controller messages involve two components - a controller number and a value. Some MIDI controller numbers default to Volume (7) Panning (10) Sustain Pedal (64) while others are dependent on the receiving synthesizer or sampler. Controller messages can be used in some Software Samplers (such as the Vienna Symphonic Library) to switch between instruments on a single channel. In some cases you may want to include controller messages for other purposes (eg to alter the panning position of the playback). To enter a Controller Message in use the command: ] followed by the controller number, a dash, and the controller value. For example, ]1-64 will set controller number 1 to 64, ]10-80 will set controller 10 to 80. MIDI Controller messages appear in green below the staff and will be sent to the instrument at its location in the score. In the example below, values of 64 then 0 are sent to controller number 1.

  

  Graphical Score Midi Import was added to the Midi Recorder. In order to transfer notes with the precise original score location and durations, selected the Graphical Notes radio button in the Note Types area of the Midi Recorder:

  Notes will appear as Graphical Notes. If needed they can be changed to Regular notes using the menu item in the Modify/Notes menu.

Version 2.437

• The problem with EPS grpahics disappearing in OS-X 10.6 was fixed.

Version 2.438

• Small Mute and Solo buttons were added to the right of every staff. These buttons allow you to more easily single out staves for solo playback or mute staves you don't want to have included in your playback.

Version 2.439

• The ability to alter the angle of crescendo and decrescendo marks (hairpins) was added. By default, hairpins are horizontal, but a 3rd control point has been added so that the entire image can be angled. Since altering the angle of these images is relatively rare, then angle adjustment is normally locked, but it can be unlocked using the small button at the bottom of the score window:
  -> When the angle adjustment is unlocked, you can drag a control point centered between the two line ends (i.e. the open end of the crescendo or decrescendo)
  It is recommended that you keep the angle adjustment locked so that these markings don't get accidentally shifted from there standard horizontal position.

Version 2.445

• The name of the Cresc/Decres submenu menu in the Modify menu was changed to Cresc/Decres/Graphics, and number of items were added to this menu. Using the Score-Select tool, you can select a region of the score (across several pages and systems if desired) and use one of the following menu items:
  • Build Pedal Line Start
  • Build Pedal Line Mid
  • Build Pedal Line Mid-End
  • Build Pedal Line End
  • Build Horizontal Line
  • Build Trill
  • Build Octava
  • Build Octava basso
  to add one of these images to the score. As in the case of crescendo and decrescendo marks, these images will be split across systems during re-formatting. Horizontal lines are created using the line type and line width currently set in the Line pane. Line attributes can later be changed by selecting the beginning of the line and modifying the line using the buttons on the Line pane.
• A menu item: Toggle Niente Cresc was added to the Cresc/Decres/Graphics menu. This item adds a small circle at the beginning of a crescendo (or at the end of a decrescendo) or removes the circle if one already exists.

Version 2.446

• Menu items were added to small pull-down menu to the right of the Fermata/Symbol pane which allows accidentals (double sharp, sharp, natural, flat or double flat) to be added to selected trill graphics.

Version 2.452

• It is now possible to have dotted lines around rectangles and ovals.  This is done after the rectangle has been entered onto the score, but selected it (using the bottom-left corner) and using the buttons on Lines pane to set the kind of dotted line you want (there is a solid line and three types of dashed lines) and clicking on the Change Line Type -- it does not matter which line type is visible in the view above since only the dash qualities will be applied to a rectangle or oval.
  
  Support for transparency in rectangles and ovals was also added, so it is possible to do use overlapping transparencies.   The images will be drawn voice by voice and from left to right.  Below you can see some ovals with 50% and 25% opacity -- the alpha channel can be set in the colour panel when the colour is being selected.
  
• If you manually adjust an accidental horizontal position, the accidental will retain that position when it is exact pasted, and the accidental (and all other accidentals in the chord) will not adjust when you perform adjustments to the stem or format the page.   The accidental positions are also retained when the part is extracted.   If you want to free the accidentals from being locked, you can do so by adjusting one of the notes in the chord -- once a note has been moved to a different pitch - the accidentals will be automatically adjusted and will no longer be locked.  However, if you just click on a note and do not actually adjust it - the lock should remain in place.
  
• It is now possible to enter duration notes as part of your tempo map -- There is a pull down menu for each setting of the tempo which has note values (sixteenth note through dotted half note)
  During playback the tempo is displayed in two ways -- one with the tempo against a quarter note and the other with the tempo against the specified duration value. So, for example if I play back a score which switches to a tempo of eighth note = 68 (in measure three) I will see a display that looks like this:
  
  
• There is a clear button on the bottom of the tempo map that clears out all tempo information and resets it to q = 120 at the beginning.
• Some modifications to the way lines and crescendo are adjusted was made. Under normal conditions, lines created as piano pedal markings, as well as crescendi and decrescendi will retain their association with the staff they are linked to -- even if the image is adjusted very close to another staff. They can no longer be pulled from one system onto another.

Version 2.455

• It is now possible to place rectangles, ovals and lines in the background layer using the "Send Import Graphic To Back" or Bring Import Graphic To Front menu items" located in the small pull-down menu to the right of the Graphics Pane. When these images are in the background, they will be drawn before the staves are drawn.

Version 2.456

• Support for irrational time signatures was added in a panel in the Tools menu. Irrational time signatures are are time signatures whose denominators are not powers of 2 -- for example a time signature of 4/10 would indicate that there are 4 beats in the measures and a 10th note gets a beat (where a 10th note is a quintuplet eighth note). In effect, these time signatures are implemented as tempo shifts during playback.
• A bug which caused NoteAbilityPro to crash after deleting pages was tracked down and fixed. As well, some of the extra pages created through the measures in systems and systems on pages operations are now automatically removed.
• Basic XML export has been implemented.

Version 2.462

• Significant improvements in the MusicXML import and export have been made. There is a new MusicXML menu in the File menu which has submenus for XML import and export. Music xml files should have the suffix .xml in order to be opened by NAPro.
• An antescofo transport control was added to the Tools menu. This transport is designed for use with antescofo score following - the buttons send reload score, start and play messages through the network to antescofo~ (running in MaxMSP or Pd). The antescofo file export was enhanced to support trill and glissandi.

Version 2.470

• Menu items were added to the Modify / Beam menu to allow beams to be extended to the Right and Left of the last note in the beam group. Beam extensions are useful to indicate a beam starting in one system and continuing in the next. Beam extensions are additive so you can alter the length of the beam extensions by adding several beam extensions. The Clear Beam Extensions menu removes all Beam extensions.

Version 2.474

• Support for automatic cautionary time signatures and key signatures was added. By default, new documents will have cautionary time signatures and key signatures appear at the end of systems before a time signature or key signature change. During re-formatting of measures on systems, time signatures and key signatures will be removed and added as needed. These objects are not editable - they are part of the underlying score structure. To support these features, new menu items were added to the Modify menu. Under the Time Signatures menu there are 4 items:
  • Score - Enable Cautionary Time Sigs - this engages cautionary time signatures for the entire score
  • Score - Disable Cautionary Time Sigs - this disables cautionary time signatures for the entire score
  • System - Enable Cautionary Time Sigs - this engages cautionary time signatures for the current system only
  • System - Disable Cautionary Time Sigs - this disables cautionary time signatures for the current system only
  Under the Key Signatures menu there are 4 items:
  • Score - Enable Cautionary Key Sigs - this engages cautionary key signatures for the entire score
  • Score - Disable Cautionary Key Sigs - this disables cautionary key signatures for the entire score
  • System - Enable Cautionary Key Sigs - this engages cautionary key signatures for the current system only
  • System - Disable Cautionary Key Sigs - this disables cautionary key signatures for the current system only
  For compatibility reasons, old documents will not have automatic time signatures and key signatures engaged (since cautionary time signatures and time signatures may already have been added graphically.) However, if you want to engage automatic time signatures and key signatures in these documents, you can select the Score-Engage Cautionary Key Sigs and Score-Engage Cautionary Time Sigs menus. Parts extracted from these documents will have automatic time signatures and key signatures enabled. If desired, graphical time signatures and key signatures can be generated for the document using menus located in the pull-down menu located on the top-right corner of the Time Signatures and Key Signature panes in the Score Structure panel. If you do not want cautionary time signatures and key signatures generated in new documents, you can uncheck the boxes in the Rules pane of the Preference panel.
• Staff Label positions for all subsequent systems (i.e. to the end of the score) can now be adjusted by holding down the option key while adjusting a Staff Label arrow.
• Increased support for lyric dashes was added. In the Appearance pane of the Preference panel, it is now possible to select from three different options for the appearance of the separator between lyric syllables.
  If you choose "hyphen" then the hyphen character (in the lyric font) will be used between syllables, if you choose "endash" the endash character (usually option-hyphen) will be used between syllables and if you choose dash, a thin line will be used between syllables. The dash option is necessary for non-western font which may not have hyphen or endash characters. If you select dash as an option, you can also set the relative length of the dash with the Dash Length slider. Finally, the vertical position of the underscore (at the end of words) can be adjusted to be higher or lower.
• It is now possible to export and import the tempo map and playback settings of a score. Occasionally, when multiple files are open, the tempo map and playback settings of a score can get lost. If this happens, you can export the score data from a backup copy of the score and import it into the current document thereby restoring the settings. The Import Score Data and Export Score Data menus are located in the Help menu. This method should be used with caution since importing score data will replace the data currently in your score. None of the material in the score is affected by this operation, but the tempo map settings and the playback settings will be altered.

Version 2.475

• A column for controlling staff spacing was added to the Custom Setup panel so it is now possible to create documents with variable staff spacing when using the Custom Setup panel. Altering the distance between staves on the main Document Setup panel will reset the custom staff spacing. Variable staff spacing values are now saved as part of the NoteAbilityPro template file and will be loaded when you create a new document with a document with variable staff spacing open.

Version 2.477

• Menu items were added to the Modify/Beam/Beam Extensions menu to allow flagged notes (i.e. single unbeamed 8th notes 16th notes etc.) to have a short beam replace the flag. The Beam Flag Left and Beam Flag Right operations are useful in situations when you want a single note to appear to be linked to a beam on the following system or to a beam on a previous system. The Clear Beam Flag menu removes the beam and the original flag will be drawn.

Version 2.480

• Two buttons were added to the bottom of the score window which allow all Solo buttons or all Mute buttons to be turned off. This is a useful short cut for situations when you have engaged several solo or mute buttons and you want to disengage all of them at once.

Version 2.485

• Support for adjusting the positions of tremolo beams was added. The tremolo beam controls were moved into a pane of their own and arrows were added which allow the end positions of the tremolo beams to be adjusted. The tie adjustment controls (that used to be in this pane location) were moved to the third tab in the Accidental/Articulation pane.
  
• Quicktime synthesizer playback support was removed from NAPro since this technology is no longer supported in OS-X 10.7. The DLS synthesizer should be used instead of the quicktime synthesizer. It is still possible to access the Quicktime samples by using the DLS synthesizer and selecting the Quicktime Synthesizer as your sound font. Old files using Quicktime will be switched to using DLS when they open.

Version 2.490

• This version includes a fairly major structural update to NAPro. Specifically, a number of panels in the program have been shifted from being global panels used by all open documents to being panels associated to specific scores. In other words, each score now manages its own track setup, tempo map, playback map and network settings. Rather than using the menu items in the Tools and Audio/Midi menus, you can click on one of the buttons located among the controls above the score:
  
  
  If you click on one of these four buttons a panel containing all the relevant settings for the score appears at the right side of the score document. To close the sliding panel, you can click the button again or you can click the arrow button located at the top of the sliding panel.
  
  
  In the case of the track setup panel, clicking on the DSL button for a specify staff brings up a second panel with the available instruments you can choose. The menu buttons associated with the old Track setup panel, Tempo Map, Playback map and Network settings will be directed towards the current score, and the appropriate sliding panel will open.

Version 2.507

• Some minor bug fixes to NoteWriter import and tablature font encoding were made.
• Some problems with redraw on OS-X 10.7 (Lion) were addressed and the printing routines were redesigned to work properly in OS-X 10.7.

Version 2.509

• Some buttons were added to the Entry Cursor to facilitate adding accidentals, inserting rests or undoing during note entry. The buttons appear on the right side of the Entry Cursor. The sharp button raises the note by a semitone (i.e. if it is natural it becomes sharp, if it is flat, it becomes natural) and the flat button lowers the note by a semitone (if it is flat it becomes double-flat, if it is sharp it becomes natural). The insert rest button inserts a rest with the same duration value as the note specified in the current command, and the undo button reverses the last change to the score.

Version 2.514

• Support for Custom noteheads was added. Use the Tools->Custom Noteheads menu to bring up the panel. You can have up to 48 custom noteheads associated with a file and you can save and load collections of noteheads. Noteheads can be in any graphics format, but they should have a transparent background so they don't obscure the staff.
• Import and Export to the IPad version of NAPro was added to the file menu. The IPad version of NAPro will be released in the near future.

Version 2.518

• Graphic images were updated for Retina displays and some redraw problems in OS-X 10.8 were fixed and minor bug fixes were made for OS-X 10.8 compatibility.

Version 2.520

• On-screen colour-coding of voices was added to NAPro 2.520. The second voice (stems up) and the third voice (stems down) are shaded different colors so you can distinguish between voices:
  
  
  

  These colors do not appear when the document is printed. This feature help remind users when they are using alternate voices so they can return to voice 1 after entering multi-voice passages.

• A graphical S-curve slur was added to the image palette. These slurs are useful in situations where you want the slur to shift from being above a group of notes to being below a group of notes within the slur. Only the graphical version of this slur exists - they are not connected to the notes they encompass. To create a graphical S-curve slur, select the tool from the Image Palette:
  
  

  The input method for this slur requires 5 control points to be entered and they should be entered from left to right on the page. These points represent the starting point, the top or bottom point of the first part of the slur, the mid point of the slur (at which the slur shift to the other vertical direction), the mid point of the second part of the slur and the end of the slur. While the slur is being entered, straight lines show the sequence of lines:

  
  

  Once all 5 points have been entered, the slur will appear:

  
  

  Any of the 5 control points can be altered by selecting them and dragging them to change the shape of the slur. These slurs are purely graphical so they will not divide across systems the way slurs that are added using the Add Slur button are.

• A button was added to the Delete Pages pane to enable all extra pages to be deleted as one action. Indicate the last page in the score and click on the Delete all Pages after Page button.

Version 2.529

• Added support for the Vienna font
• White-outs are now created when ties cross time signatures.
• Some redraw problems in OS-X 10.7 & 10.8 were fixed.
• File icons were altered to show a miniature view of the first page of the score.

Version 2.535

• Slurs are now allow independent control over the middle control points so that the bezier curve can be adjusted more flexibly. These control points are visible when the select tool (arrow) is chosen. They can only be adjusted by clicking and dragging - they are not selected when they are included in a selection rectangle. Slurs created using earlier versions of NAPro will automatically be converted to the new slurs with the original shape of the slur being retained. The appearance of the old and new slurs is shown below:
  
  Old Slur ---------- New Slur
• Selected Control Points are now shown with colored circles when they are selected and adjusted. As well, the selectable area of the control point was enlarged to make clicking and dragging control points easier.
  
  
  
• Zoom in and Zoom out short-cuts were added so you can more quickly change the score display size. On most keyboards the sequence: Command and - will reduce decrease the magnification (make the images smaller) and Command and = will increase the magnification (make the images larger.) There are more view size settings so each sizing increment is smaller. These commands also appear in the Format menu.
• A new Velocity Editor was added to the Tools menu. The Velocity Editor allows you to load selected notes into a panel where their velocities (i.e. volumes) are displayed along a measure timeline. Using the tools on the right side of the panel, you can alter the velocities of these notes, audition them and save the changes. Once a selected collection of notes has been loaded into the Velocity Editor (by clicking on the Load Notes button, the velocities of selected notes are displayed. The barlines and measures numbers are also provided for reference.

  If the following music is selected:

  
  

  It will appear in the Velocity Editor as:

  
  

  (N.B. Selections can include several staves if desired and as much of the score as you want to edit at one time.)

  You can see that by default all the velocities are set to 64. Using the pencil tool, you can freely draw across the velocity values to change them or click on individual velocity values to change them. The minimum velocity value allowed is 5 and the maximum is 127. The line tool allows you to create linear changes to the velocities and the curve tool allows you to create curved increases or decreases in the velocities. The curve direction depends on the direction you draw the curve (right to left or left to right).

  The four other buttons on the left side of the panel allow you to modify all selected velocities. Normally all velocities are selected, but if you only want some of the notes altered, you can use the selection tool (rectangle) to select a group of notes before engaging these buttons These buttons will increase, decrease, expand and compress the selected velocities.

  If you want to hear the new velocities click on the play button. If you want to revert to the original velocities, click on the Revert button. The zoom arrow buttons at the bottom of the panel increase or decrease the horizontal zoom in the window.

  Once you are content with the changes you have made, click on the Apply Changes button. If you do not click on this button, the changes will not be made to the score.

  The example below shows how the curve tool is used to create a velocity fade out:

  
  
• The tempo controls in the Music Images panel was altered to all different duration values to be displayed. You can click on the lower note icon to change to a different rhythmic value. In the example below the tempo is displayed both as a quarter note tempo and as a dotted quarter note tempo:
  
  
  
• OS-X 10.7 and 10.8 redraw problems with text and lyrics were fixed. There was a recursive redrawing that was occurring with overlapping text boxes in some operating systems.

Version 2.536

• Two new graphics tools were added to the Image Palette to enable you to add freehand line graphics or freehand curve graphics:
  The Freehand graphics tools can be used to draw a connected series of lines or curves. To draw a freehand graphic, begin by clicking the mouse and dragging. Each time you want a change in the line direction, click the mouse again and when you are finished creating your graphic image, double-click the mouse button to complete the image. Each time the mouse button is clicked, a control point will be added to your image. There can be up to 32 control points added in a freehand graphic image.
  
  Freehand graphics drawn with the Freehand Line and Freehand Curve tools

  The control points of the Freehand graphics objects are shown below -- each of these control points can be altered.

  

  Two menu items were added to the Graphics Pane pull-down menu so that you can close a selected freehand graphic image (i.e. join the beginning and ending points) and set them to be filled with the current fill color.

• A number of new line types were added to the Line Pane in the Music Image panel.

Version 2.538

• An Antescofo Monitor was added to NoteAbilityPro. This monitor can be used to track pitches tracked by Antescofo during score-following and to view GFWD (Group) messages triggered by antescofo. An Antescofo Monitor menu item was added to the Tools/Score Following menu and all other menus related to score-following were moved from the Tools menu to this menu.

Version 2.540

• The method used for adding Pedal Markings was changed. To support the new method, a Pedal Lines pane was added to the Music Images panel (beside the Lines pane.) The Select Score tool is used to designate the beginning and ending positions of the pedal line. Once entered (either by clicking on the Create Pedal Line button in the Pedal Pane or by selecting the Build Pedal Line item in the Modify/Cresc/Decres/Graphics menu), you can add pedal change markers by double-clicking on the pedal line. You can also switch to different pedal line types and remove pedal change markers you no longer want. The vertical position of the pedal lines are controlled by the Lyric button located below the staff at the left side of the system. Pedal lines can cross multiple systems and the vertical position of the line on each staff can be altered independently.

See also

• NoteAbilityPro Overview
• NoteAbilityPro features

© Keith A. Hamel 1998-2005 - All Rights Reserved